La Reina del Plata, 2017
Shattered safety glass
Seven glass diamonds in three different dimensions (between 100 and 140 cm in diameter)
   
Elegy, 2017
print on fabric, fishing line, lead balls, epoxy, acrylic
300 x 550 x 280 cm
   
Rainbow or the Ascension Concrete Art, 2016
370 colored threads, wood panel
Variable dimensions
   
Waterfall, 2017
Diasec, fishing lines
Approx. 200 x 130 cm
   
The Flood, 2015
print on fabric, fishing lines
300 x 300 x 300 cm
   
Monochrome bleu de Rothschild, 2016
Glass painted on the backside with cobalt (II) chloride
100 x 150 cm
   
Rayos y tormento, 2017
C-print, framed with handmade glass
41 x 61 cm
   
Atormentado II, 2015-2016
perforated inkjet print, loose confetti produced by the perforation process
100 x 150 cm
   
Atormentado, 2015-2016
Perforated inkjet print
100 x 150 cm
   
Black Sea, 2016
C-print, framed with shattered safety glass
100 x 140 cm
   
Outre-mer, 2016
C-print, framed with shattered safety glass
100 x 140 cm
   
The Treasure of the Nibelung, 2017
C-print, rhinestones
   
160,040.5 Carat, 2014
Shattered safety glass
70 x 100 x 67 cm
   
Atrapasueńos (Dreamcatcher), 2014
C-print, framed with shattered safety glass
46 x 71 cm
   
City of Shadows, 2014
Colored pencil on paper framed with shattered safety glass
56 x 98 cm
   
Buenos Aires especular, 2016
C-print framed with stained glass.
82 x 58,5 cm
   
Voyeur, 2014
C-print framed with stained glass
82,5 x 51,5 cm

   
The Fates over Buenos Aires, 2014
Diasec, cords and threads
Dimensions variable
   
Transfiguration in Notre-Dame de Paris, 2012
Diasec, fishing line
Approx. 200 x 160 cm
   
Apocryphal view, 2012
Diasec, fishing line
Approx. 200 x 154 cm
   
Blassed are those who have not seen and yet have believed, 2011
Perforated c-print, loose confetti produced by the perforation process
112 x 150 cm
   
Revelation, 2011
Perforated inkjet print, loose confetti produced by the perforation process
Each: 50 x 50 cm
   
Insomnia II, 2012
Pins and nails pinned onto a c-print
100 x 150 cm
   
The fault is not in our stars, but in ourselves, that we are underlings. (William Shakespeare), 2012
Pins and nails pinned onto a c-print
177 x 300 cm
   
Insomnia V, 2012
Pins and nails pinned onto a c-print
146 x 156 cm
   
The Birds II, 2010
Images of the Holy Spirit taken from old-master paintings and engravings, pinned onto a c-print: still from the Alfred Hitchcock film The Birds, inkjet print.
Diptych, each picture 88 x 140 cm
   
The Birds, 2010
Images of the Holy Spirit taken from old-master paintings and engravings, pinned onto a c-print: still from the Alfred Hitchcock film The Birds.
100 x 160 cm
   
Más allá de la imaginación o la imaginación del más allá, 2013
Perforated c-print
60 x 130 cm
   
Looking for Persephone, 2013
C-print with burns
77 x 114 cm
   
Memento mori: Work in progress, 2013
C-print for a wall that gets direct sunlight
72 x 80 cm
   
Memento mori II: Work in progress, 2014
C-print, PIR-based motion detector, 500 Watts lamp
100 x 70 cm
   
Atelier Seis - fotocopias color, 2012
C-print
80 x 130 cm
   
Elegy, 2013
Bleach on c-print
86 x 130 cm
   
Lluvia y Tormento: El Diluvio II, 2012
C-print, straws
110 x 165 x 8 cm
   
Sturm ohne Drang II, 2011
C-print, straws
97 x 144 x 8 cm
   
Lluvia y Tormento: El Diluvio I, 2011
Perforated c-print, loose confetti produced by the perforation process
110 x 165 cm
   
Mystery in the Cathedral, 2010
Perforated c-print, confetti
40 x 50 cm
   
Jesus Saves, 2010
Perforated c-print, confetti
70 x 100 cm
   
Absolution, 2009-10
Perforated c-prints of confessional screens mounted on black cardboard; loose stainless steel balls inside the frame, wooden shelf
Series of 20, each approx. 7 x 35 x 27 cm
   
Melencolia A.D., 2007
Straws
Approx. 282 x 250 x 250 cm
   
S Broadway - Los Angeles, 2010
Perforated c-print, loose confetti
each 40 x 50 cm
   
Notre Dame de la Garde (La Bonne Mere), after Paul Signac, 2011
Perforated c-print, loose confetti in the colors of the image
95 x 122 cm
   
The House of the Atlanteans (after Hermann Finsterlin), 2010
PET water bottles, plastic bottle caps, books on utopias, etc
Approx. 450 x 350 x 330 cm
   
La Maravilla, 50th Anniversary of the Revolution- Havana, 2009
Perforated c-print, loose confetti
70 x 50 cm
   
Havana, 50th Anniversary of the Revolution, 2009
Perforated inkjet print, loose confetti produced by the perforation process, and colored confetti.
84 x 306 cm
   
Leap into the Void (after Yves Klein), 2008
Reproduction from Yves Klein´s photograph "Leap into the Void", punching machine and confetti in the shape of Yves Klein, colored papers.
Dimensions variable
   
Resounding End, 2010
Perforated c-print, light blue confetti
40 x 50 cm
   
Con penas ni gloria, 2008
Perforated color cardboard silhouettes from öld-master paintings of Saint Sebastian, confetti in the same size and color as the perforations
Dimension variable
   
Günstiger als Gursky (Cheaper than Gursky), 2008
C-print
Two pictures each: 150 x 280 cm
   
Echo, 2008
Printed garland
approx. 18 x 18 x 300 cm
   
33 tremendas tristezas (33 Tremendous Sadnesses), 2008
C-prints on aluminum, nylon threads, plumbs
Approx. 160 x 400 x 70 cm
   
The Last Party, 2008
Perforated inkjet print, confetti taken from the print
100 x 150 cm
   
Te conozco mascarita, 2008
C-print, golden loose confetti
30 x 45 cm
   
Project for a Fountain of Dancing Tears, 2008
Images from old -master paintings of Saint Sebastian printed on duratrans, red staws
Approx. 300 x 150 x 150 cm
   
Zeige deine Wunde - nach Joseph Beuys (Show Your Wound - after Joseph Beuys), 2008
Confetti taken from Saint Sebastian´s wounds in the piece "Project for a Fountain of Dancing Tears" and pins on paper
45 x 30 cm
   
TRUE! — nervous — very, very dreadfully nervous I had been, and am; but why will you say that I am mad? (after Edgar Allan Poe), 2008
Red straws, polyester
Variable size
   
After walking on the brink, 2008
Mobile made with screaming faces cut from comic magazines
Variable size
   
Experience Utopia, 2005
Empty food packages, original works from the Bauhausarchiv of the Akademie der Künste (Bruno and Max Taut, Hans Scharoun, etc.)
approx. 650 x 900 x 600 cm
   
Triumph Arch, 2004
Empty food packages
350 x 400 x 120 cm

   
Collages, 2005/06
Collage (comics) on photography
Each 45 x 32 cm

   
The Scream (after Edvard Munch), 2007
C-print
122 x 192 cm
   
Big Doubts, 2003-2004
C-print
90 x 150 cm
   
Big Misfortune, 2003-2004
C-print
Each one 150 x 100 cm
   
Big Bang, 2006
Collage (stars cut from junk mail) and acrylic paint on canvas
160 x 160 cm
   
Heavenly, 2005
Collage (stars cut from junk mail) and acrylic paint on canvas
200 x 300 cm
   
Paradise I, II, III, 2004
Backlite; Photography on Duratrans, black card, neon lights
each 74 x 104 cm
   
Inferno I, II, III, 2005
Backlite: Photographs on Duratrans, black card, neon lights
Each 74 x 104 cm
   
The Night that saw the Stars, 2003
Collage and acrylic paint on paper
45 x 45 cm
   
Collages, 2003
Collage and acrylic paint on paper
   
Conceptual art, 2001
Compilation of products and shops called "concept"
Approx. 200 x 300 cm
   
Paradise, 1998-2004
Objects installation
Different products in which is used the word "paradise"
Variable size

   
Paradise, 1998-2005
Photography installation
C-prints
Each one 20 x 30 cm
   
Paradise, 1998-2001
C-prints
   
Saint Sebastian, 1996-2001
Print on sticking plaster
Series of 45 different pieces
Each one 32 x 16,5 cm
   
The Perfect Harmony of the CH. Family, 1997
Leveled Spirits
Approx. 80 x 250 x 150 cm
   
Before 1997
A collection of works produced before 1997
shown as a virtuell exhibition